Books

Features

Master of the Game

Game of Thrones creator David Benioff ’92 discusses a day that changed his life, his fear of prison, and what it’s like behind the scenes of the most-acclaimed TV show ever.

A Devil in the Details

For her new novel about a college shaken by student protest, noted author Jean Hanff Korelitz ’83 created a fictional campus with a very familiar ring to it.

Art Imitates Life

Jean Hanff Korelitz ’83 discusses her latest novel, The Devil and Webster, and how Dartmouth influenced her story.

New Blue

Something unusual is happening on the streets of Vermont’s largest city: Police chief Brandon del Pozo ’96 has infused Burlington with trust and transparency—a new way of policing in America.

Wayward

A few tidbits about journalist, Francophile and eater A.J. Liebling ’24, one of those famous alums who never graduated.

Fellowship

Dartmouth’s postdoctoral fellows infuse the campus with fresh energy and new ideas.

Deaths

John Irwin Shafer Jr. ’33 • Nov. 19, 2016 William Boylston Rotch ’37 • Feb. 1 Adrian Seth Harold Weiss ’38 • Jan. 15 Henry Gunst Jr. ’41 • Dec. 16, 2016 Henry Alexander Salm ’41 • Nov. 14…

Letters

Look Who’s Talking

Voices in the Wilderness

Web Extras

The Duthu Dilemma

In the wake of the controversy over the appointment of Bruce Duthu ’80 as dean of faculty, a Native American alumna worries about the fate of indigenous activism in academia.

Doodling for Academics

Excerpts from a new activity book for professors (edited by Christie Henry ’91) capture the bizarre highs and arcane lows of academic life.

Fighters to the End

Engineering school namesake Sylvanus Thayer, class of 1807, and Alden Partridge, class of 1806, are remembered as the “Father of West Point” and the “Father of the ROTC,” respectively. They also…

Subway Encounter

EXCERPT: Late night, New York City. Street thugs confront a young Brandon del Pozo. What happened next changes his life.

Green Room

Fake News!

Onion staffer Mike Gillis ’12 on writing for “America’s Finest News Source” and the role of satire in a post-truth world