Second Chapter

Barry Corbet ’58 lived two lives—and he lived more fully in both of them than most of us do in one.

In the summer of 1955 two young climbers from the Pacific Northwest rested at an alpine oasis below the Grand Teton in Wyoming. Barry Corbet and Jake Breitenbach ’57 were in the prime of youth, able to jog uphill while wearing loaded packs. Corbet was solid and angular, yet gentle and graceful. Breitenbach was all sinewy muscle, topped with a mischievous shock of Dennis the Menace blond hair.

A few days earlier they had navigated Corbet’s battered 1948 Hudson to the Tetons from Dartmouth. During an industrious week they climbed six of the Tetons’ highest and most difficult peaks. Initially they followed piton chips in the rock left by a handsome young student named Jack Durrance ’39, who founded the Dartmouth Mountaineering Club in 1936. Then they broke out on their own and established several new routes in the range.

The Tetons soon became the Dartmouth climbing clan’s untamed, vertical playpen—a proving ground for the skills honed on the primordial rocks of New England. During the summers of the 1950s, Jackson Hole hosted one of the greatest concentrations of Dartmouth students outside of New Hampshire.

Corbet was their ad hoc leader. An astute geology student, he reputedly had the highest IQ at that time of any incoming Dartmouth freshman. “Barry could do whatever he put his mind to,” says his roommate Frank Sands ’58. “He looked at Webster Hall and decided that the three-inch-deep decorative ledge would have to be traversed. The ledge slopes downward, you know, and to remain on it he had to grip the outer edge with his toes. He made it all the way around the building.” The Dartmouth climbers also practiced rescues by placing unwitting underclassmen in litters suspended by crude manila ropes from the top of Bartlett Tower, then lowering them to the ground.

One summer Corbet, Breitenbach and Leon “Pete” Sinclair ’58 decided to take a detour via Alaska, and they forged a new route up the South Face of Mount McKinley. When Time magazine asked them why they climbed mountains, they responded, “To get away from tidal waves.”

Not surprisingly, Corbet was selected for America’s first official team to attempt Mount Everest, along with Breitenbach, David Dingman ’58, Barry Prather ’61 and Barry Bishop ’53. But Corbet’s buddy Breitenbach wouldn’t make it through the second day of climbing. In the treacherous Khumbu Icefall, he was buried beneath tons of ice when a section of the glacier collapsed on top of him.

The expedition forged on. Corbet chose to join Willi Unsoeld and Tom Hornbein on a daring attempt of Everest’s unclimbed West Ridge. But a limited supply of oxygen restricted the West Ridge summit team to only two climbers. Corbet had ferried loads to high altitudes for more than a month, yet he insisted that Hornbein and Unsoeld should go.

“You two have been climbing together, you know each other and you’ll make the strongest team. What’s more,” he said semi-seriously, “you’re both just about over the hump. This is my first Himalayan expedition; I’ll be coming back.”

To fix their high camp, at 27,225 feet, Hornbein and Unsoeld followed steps that Corbet had chopped with an ice ax up an avalanche-prone chute now known as the Hornbein Couloir. As Corbet descended, his oxygen mask hid tears. He had just reached the highest point of his climbing career, but mainly he harbored a private fear for Unsoeld and Hornbein. Losing Breitenbach was more than enough.

Hornbein and Unsoeld would reach the summit on May 22, 1963, in what is still hailed as one of the greatest feats in Himalayan mountaineering.

In the late 1950s a recruiter for a men’s modeling agency had stopped Corbet on the street in New York City. Riveted by his boyish but rugged features, the recruiter scribbled down the climber’s contact information.

While Corbet was on Everest, a representative of Philip Morris called and spoke with his wife, Muffy. The company had heard about the expedition, and the rep asked if Corbet might consider modeling for a Camel ad. Corbet was a smoker, and when he returned to Wyoming he accepted. He appeared on the back covers of national magazines in a composite photo featuring a well-tanned, virile outdoorsman framed by Everest’s West Ridge (the foreground of the composite photo was shot in Grand Teton National Park). A sling across his chest is threaded with carabiners, glacier goggles are pushed onto his forehead and one hand holds a pair of leather work gloves. His gaze seems focused beyond the horizon.

In truth, after Everest, Corbet’s gaze had turned inward. A feeling of emptiness and despondency had swept over him after losing his best buddy, Breitenbach. And following an informal, congratulatory parade in Corbet’s honor through Jackson Hole, he and his wife had separated.

Corbet’s friends described him as distraught. To distract himself, he climbed in the Tetons with friends—but he made some careless, dangerous moves as he struggled halfheartedly to pay attention. At one point a large rucksack being hauled up the cliff above him came untied and tumbled past him down the mountain. Corbet barely glanced at it. “I think we just lost Briggs,” he muttered with quiet fatalism—or a nod toward black humor. (The reference is to Bill Briggs ’55, a fellow ski instructor of Corbet’s at Suicide Six in Vermont.)

But Corbet soon regained his focus and his mountain legs, and during the six years following Everest he went on to do first ascents of Mount Vinson and Mount Tyree, Antarctica’s highest and second-highest peaks.

Filmmaking also provided a lift. Corbet had made some simple movies, and high on the West Ridge he’d shot some footage that showed imagination and technical competence. In Aspen, Colorado, he partnered with Dartmouth classmate and adventure filmmaker Roger Brown ’57, who saw in Corbet a brilliant cinematographer and editor. It was a heady time, as they witnessed the birth of stunt skiing and new equipment designs that were quickly changing the sport. With borrowed money, they produced films titled Yoo Hoo, I’m a Bird (for an airline company), Ski the Outer Limits and The Moebius Flip. Enough income rolled in so that they could hire Norman Dyhrenfurth—the leader of the 1963 Everest expedition, also an accomplished filmmaker.

It was while working with Dyhrenfurth that Corbet’s life was abruptly transformed. On a mountain near Aspen, the helicopter from which Dyhrenfurth and Corbet were shooting landed briefly. Two Bonne Bell girls—models wearing tight, padded one-piece suits and stylish buckle ski boots—were dropped off, and they prepared to launch into a synchronized skiing routine when the cameras rolled. Corbet had been shooting from the ground all day and was cold from standing in one place. Dyhrenfurth suggested they swap places, so that Corbet could shoot aerials. Corbet climbed into the chopper.

The pilot had lashed two boards crosswise onto the whirlybird’s skids to improve buoyancy when landing in soft snow. The helicopter skimmed only a few feet off the surface, following the skiers, while Corbet filmed. But sunlight filtering through a high haze offered little depth perception on the smooth, powder snow.

The boards lashed to the skids suddenly snagged on a bump, tripping the chopper. It slammed into the slope, and—in an apocalypse of tearing metal and flying debris—tore apart as it flipped upside down. Corbet was thrown through the Plexiglas bubble.

The snowy landscape went silent. Dyhrenfurth was stunned. He scrambled down from his filming perch and saw Corbet’s nose emerging through the snow. The pilot was hanging upside down, unhurt. Dyhrenfurth struggled to keep Corbet alive.

The Bonne Belle girls rallied into action. They yanked the door from the helicopter, fashioned it into a snow toboggan and transported Corbet to level terrain. Then the ski models raced down the mountain to find help.

“I recall praying to God—something I had never done before,” Dyhrenfurth says. Another helicopter landed and evacuated the pilot and Corbet—who was unconscious—to Aspen Hospital. Dyhrenfurth was left shivering in the cold and darkness for hours—feeling more isolated than he ever had on Everest—until another helicopter retrieved him. The pilot survived—though he would be killed several months later in another crash.

Brown—who had originally been scheduled to shoot that day in place of Corbet—drove up from Vail. Corbet’s eyes were open, but he couldn’t recognize Brown. His injuries were clearly life-threatening, and he was evacuated to University Hospital in Denver, where he endured eight hours of abdominal surgery. After that, the doctors examined his spine.

The prognosis was dire. Corbet would live, but his spinal cord had been damaged. He would be permanently paralyzed from the waist down.

Two months after the helicopter crash Corbet rolled his wheelchair out of the hospital and moved into an apartment on Denver’s Colorado Boulevard.

He didn’t know a single paraplegic. “In 1968 nobody told people like us that we might live a normal life span,” he said in a 2001 lecture. “So it was easy to buy into the prevailing dictum to live fast, die young and leave a beautiful memory. I took that as a license to party hardy, and I did.”

Like many of his friends, Corbet had a healthy taste for booze. Now he really had something to drink about. Some of his old friends were hesitant to visit, simply because they didn’t want to see him disabled. They remembered Corbet as “SAB”—supremely able-bodied—and they wanted to cherish that image. Corbet himself didn’t mind the solitude. He needed some time alone to figure out how to live independently—assuming he could live at all. His ex-wife, Muffy, continued to visit, and he asked her to bring his crutches, hopeful he would someday be able to use them.

Gradually, his friends began to re-appear. “I saw him at the apartment,” said David Peterson, a climber and doctor from the Tetons. “The room was dark, and his attitude was dark. He was searching, beseeching, grasping at any hope for a cure—acupuncture, acupressure, faith healing, neurosurgery—anything.” Corbet had even explored a “Philippine Miracle Healing Rescue,” in which a medical practitioner magically “reaches into” the patient’s abdominal cavity with his hands to extract tumors and other obstructions. Peterson was dubious. “I could only say, ‘Barry, I love you—but there’s nothing I know of in medicine that we can offer you. The best thing for you is to get into rehab.’ ”

A muscular, hotshot climber named Gary Hemming was on his way to the Tetons when he dropped in to visit Corbet. Biographer Mirella Tenderini recounts that “Gary could not accept that a man of such mental and moral strength was not able to ‘dominate his situation’ and overcome a purely physical problem.” After exhaustive efforts to get Corbet to walk by sheer willpower, Hemming withdrew a pistol. He cocked the gun and pointed it at his own head, and ordered Corbet to stand up.

Corbet was galvanized. He raised himself on his arms, propelled himself forward onto his legs and for an airborne instant looked as though he was walking. Then he collapsed to the floor. Ironically, Hemming would perish first—within two weeks, by his own hand, with his own gun, near Jenny Lake in the Tetons. The incident with Corbet may have been Hemming’s rehearsal.

Corbet had told friends of feeling depressed even before his accident, when he didn’t know where his life was heading. He had also developed emboli in his legs from inactivity when he was nearly comatose in the hospital. These clots had broken away and lodged in his lungs—a dangerous occurrence. As if these afflictions weren’t enough, inner demons—far more tenacious and frightful than anything a mountain had unleashed on him—began to appear. Breitenbach’s death may have given the demons space to roam.

The only way out of his funk, Corbet decided, was to reclaim his athletic, outdoor life by any means possible. University Hospital, however, hadn’t provided Corbet with physical therapy; he had little idea of where the boundaries lay for people with disabilities. Denver’s Craig Hospital, nearby, was emerging as a leader in therapies designed to reintegrate disabled patients into active, productive lives. A long-time staffer described Craig as “a cross between an elite neurological institute, college campus, fraternity house and boot camp.”

Corbet came on board. He jumped into every activity and sport he could imagine, and set out to become “the most active gimp who ever lived.” His anything-is-possible, go-for-it spirit infected Craig’s other patients. Corbet perfected what he called “ballistic transfers,” in which he would move from a wheelchair to a car or bed in a single explosive, yet fluid motion. He exceeded the range of movement that the staff had imagined possible. This was a guy who had climbed on Mount Everest, after all.

Corbet’s creative spirit couldn’t be restrained, and soon he jumped back into adventure filmmaking with Roger Brown. While shooting footage of kayakers from a raft on the Colorado River at the bottom of the Grand Canyon, Corbet observed something that switched on a light bulb: The skill and maneuverability of the kayakers paddling around him depended primarily on the use of their arms.

In 1976 virtually no paraplegics had ever kayaked. Ben Harding, a studious-looking water resources engineer, and Link Hibbard, a women’s national whitewater champion, had been teaching amputees to kayak. But until they met Corbet they’d never considered it something paraplegics could do. Now, once a week in Boulder, they met with Corbet at the University of Colorado swimming pool for lessons on how to “Eskimo roll.” When kayaking on a river, Corbet would have to be able to roll, since ejecting himself from the kayak would be difficult and risky because he could use only his arms to swim.

“As far as I know he was the first paraplegic to do a successful roll,” Harding said, “though learning this wasn’t easy.” To begin with, Harding and Hibbard had to secure Corbet in the cockpit with a wedge of polyurethane foam between his legs.

The staff at Craig Hospital didn’t approve. Skin injuries can be perilous for people who lack feeling in their limbs. On one river outing in early May Corbet flipped his kayak in freezing water and tried unsuccessfully to roll it up. He was forced to exit the boat. This entailed yanking the cord that held the spray skirt, ejecting the piece of foam across his lap, then wrenching his torso and lifeless legs out—all while underwater, upside down and moving swiftly downriver amid boulders and obstacles. Gasping for air, he was able to work his way close enough to shore to be out of immediate danger.

Kayaking had given him a new means of mobility and a new skill to master. Using ropes and pulleys, he constructed a device in his garage for loading kayaks onto his modified van. The governor of Colorado granted him special dispensation to secure the kayaks on the side of his van, normally illegal. When pulled over by state troopers, Corbet would withdraw the governor’s letter from the glove box.

“When I first met Barry he was one pissed-off guy,” Harding recalls. “He had been the best at two things—climbing and skiing—and now he wanted to be the best ‘crip kayaker.’ Maybe paddling appealed to him because, while sitting in a plastic boat, he could be like everyone else.”

Corbet had become “Super Crip,” a new breed of radicalized hero. “Super Crip leaps curbs in a single bound,” Corbet later wrote, describing how some wheelchair-confined youth careen around cities and suburbs with a combination of finesse and unruly abandon. “Always a bang, never a whimper, independent to a fault. Super Crip needs little and asks for less—the living proof that people with disabilities need no accommodation.”

Consistent with that approach, Corbet resisted doing anything with other disabled people. He had been paddling mainly with able-bodied kayaking buddies. Then Hibbard asked him to join up with a group of other disabled boaters. Corbet was surprised by how quickly they adapted to the outdoors, the water and their bodies. As he tested himself, he cajoled his new kayaking buddies to take on rivers of increasing intensity. Gradually he learned that there were no stars or heroes in this game—only friends, colleagues and fellow experimenters. It reminded him of the team spirit that had slowly taken hold on Everest when the members realized that, to reach their individual goals, they truly needed each other.

When the Everest team gathered for reunions Corbet felt a mild sense of disconnection. Although most of the members had gone on to successful careers in other realms, some of them seemed to cling to that time period, to attach their identity to their achievements. Though he didn’t express it to the team, he felt he had touched something even larger than Everest, more substantial than the pursuit of personal excellence. He had discovered the longer-lasting sustenance of a community of friends and family and the magic of living in the present moment.

Corbet knew that he hadn’t been a perfect husband, but he remained close to Muffy for the rest of his life. Several years after the accident, Muffy sent their daughter Jennifer to live with him.

“My father wasn’t equipped to deal with a teenaged girl around the house,” Jennifer recalls. “He knew that my hormones had peaked when I put a sticker of the universal wheelchair access symbol on the door to my room—with a red slash across it.”

Corbet had hoped that Jennifer would take more interest in athletics.

“I was a total slug,” she admits. Then, at Brown University, she was recruited as a rower. “I may have been selected partly because I’m tall—but the idea appealed to me because I was a typical teenaged girl and didn’t want to get fat.”

Aware of her aversion to exercise, Corbet was skeptical that his daughter could break into one of the most exhausting sports imaginable.

“ ‘You can’t possibly row,’ my father told me—and that became my incentive to do it,” Jennifer says. “Then I discovered the deeper rewards rowing could offer, too.” Corbet traveled to Providence, Rhode Island, and sat in the coach’s launch while Jennifer and her team practiced for the Nationals. He was moved to tears by her performance. “Later, in front of all the relatives, he apologized for his misjudgment of me,” Jennifer says. Her team qualified for the 1988 Summer Olympics in Seoul.

For a while Corbet succeeded as a Super Crip. But he wore out the rotator cuffs in his shoulders and began to lose the use of his arms—which he found more debilitating and frustrating than the dysfunction of his legs. “He recognized that upper-body strength, guts, determination and intellect could no longer compensate for his paralyzed lower limbs,” says Brown. “He might outwit the river, but he could no longer overpower it.”

In effect Corbet was devolving from a paraplegic into a quadriplegic. “I’m running out of limbs,” he said. Then postphlebitic syndrome, which causes swelling in the extremities, led to the amputation of his toes. His feet were stepping into the footprints of Willi Unsoeld’s and Barry Bishop’s frostbitten, toeless feet, post-Everest.

After Jennifer left for college in 1983 Corbet faced an empty nest. Darkness again gathered around him. He disliked being drugged, but without drugs he was in nearly constant pain.

Advocating for the disabled brought him partial relief and a new sense of direction. “In the 1960s we had no idea that the civil rights rhetoric had anything to do with us,” Corbet said. “Disability rights? Never heard of ’em. What would we do with them?” But by 1968, the year of his accident, people were beginning to view the disabled differently. Higher education for handicapped students was already proving to be a good idea. In 1968 the Architectural Barriers Act—the world’s first civil rights law for people with disabilities—required that government-funded buildings be made wheelchair accessible. The Americans with Disabilities Act was still two decades away, but wheelchair activists had rolled out of the starting gate and were gathering momentum.

The disabled, Corbet saw, were isolated both geographically and socially. Until the Internet came along they were also politically fragmented—not speaking with a single voice and rarely gathered in a single place. “Disabled children usually aren’t born to disabled parents,” Corbet pointed out, “so we don’t have family transmission of values.”

He worked on exposing the absurdities of Medicaid rules that imprisoned disabled people in their homes: If officials learned they were active and mobile, the home-care assistance they needed might be withdrawn. And, though Medicaid covered months of hospital care, it didn’t cover custom-shaped orthotic seats for wheelchairs—the very items that could prevent the need to spend months in the hospital. Changes—an artistic documentary shot about people in wheelchairs, which Corbet filmed in the early 1970s from a wheelchair—profiled Craig Hospital rehab patients as they rebuilt productive lives. The movie was sponsored by an insurance company—the first industry to wake up and see that active disabled people were in general healthier, and less expensive to manage, than inactive ones.

Corbet no longer wanted to be characterized as a climber. It was a frame of reference that could only exist in the past. “Sure, climbing a peak has mythic connotations,” he wrote, “but so does boarding the subway. These days I attach more importance to getting into public buildings or onto buses—both of which can be ultimate challenges for someone in my position.”

At the same time Corbet felt that some handicapped activists had become too politicized. “There’s much to do besides being disabled,” he reiterated, noting a tendency among Super Crips to blame everything that’s not right with their lives on discrimination. He campaigned, for instance, that the wilderness not be made wheelchair accessible: “The thought that wilderness exists is enough. I don’t need to be in it. Make the bathrooms accessible—but leave the mountains alone.” When counseling incoming patients at Craig Hospital, he urged them to find the middle ground between warrior-like Super Crip and heart-wrenching poster child, between admiration and pity.

In late 1991 the editor of a sleepy trade journal called Spinal Network Extra handed the reins to Corbet, and the magazine was renamed New Mobility. Previously it had been a vehicle mainly for advertising and was targeted at disabled people with financial means (often from large insurance settlements). Corbet injected it with heart and with guts. His irreverent, intelligent writing—including articles titled “Handicapitalism” and “Freak Love”—set a tone that anchors the award-winning magazine today.

His brotherly gang of irrepressible, disabled kayakers helped inspire his provocative point of view: It wasn’t about what sort of late-model wheelchair or orthopedic mattress you had, it was about who you were and how you approached life. One reader of New Mobility wrote to Corbet that she had been disabled since age 8, but was 19 years old before she encountered a crip magazine. “It was intoxicating,” she said. “Even the catheter ads were liberating. I had no idea that disability was discussed outside the hospital.” She’d discovered the community that Corbet had helped create: like-minded people who were reinventing themselves from the ground up.

“Collectively, we can speak the unspeakable,” Corbet said, summarizing his mission with the magazine. “It’s really defeating if you think you’re the only person on earth who does that to breathe or does that to empty your bladder or does that to make love. When we speak the unspeakable, we can get over our bodies—our poor, banged-up bodies.”

Corbet studied Tibetan Buddhism and practiced meditation, which led him to see the world as it was, not as he hoped it would be. “Until I became a paraplegic,” he said, “I never had a sense of who I was and what I was doing. The injury forced me to face up to everything.”

The Buddhists say that we are blessed, or doomed, to live many lives. The disabled often refer to two lives: before the accident and after. “All of us,” he said, invoking the “supremely able-bodied” moniker, “should accurately be described as TABs, or ‘temporarily able-bodied.’ Everyone will be disabled at some point—it’s just a matter of time.”

Corbet’s perspective had evolved during years of pain and reflection. In the early 1990s he drove with his children Jennifer, Jonathan and Mike through Jackson Hole for the first time since his accident. At a turnout overlooking the Snake River, the most majestic peaks of the Tetons—the Cathedral Group—rose above the far bank like a shrine to his former life. His second, disabled life confronted the immutable icons of his first life as he silently traced the routes he’d so often climbed and guided. For two hours he sat in silence, trying to knit together the chapters of his life.

Corbet came to regret dividing his life. “With the benefit of hindsight it’s easy to see that there is no first life, no second life,” he wrote in 2001. “There’s this life, and it’s everything we ever hoped for. It’s the brass ring we thought we had missed. Life is complete and terrifying and drop-dead gorgeous, and I have just as big a piece of it as anyone else. We get the whole ball of wax, with or without a disability. Like it or not we are stalked by our everyday adventures, our ordinary conquests. This luminous life that is denied to no one. Not even gimps.”

Family was one of those everyday adventures. “When my son was born,” Jennifer says, “I handed him to my father and said, ‘James Barry—meet James Barry.’ He burst into tears.”

Corbet’s namesake grew up tooling around the patio in his plastic roller-chair, playing bumper cars with his grandfather’s wheelchair. Meanwhile Corbet’s granddaughter would lunge, giggling, for the toggle switch on Corbet’s electric wheelchair, making him carom off in wild directions. He had regarded his children, when they were young, as a liability to his adventurous lifestyle. Now they—and their children—had become the true loves of his life.

Corbet had completed a metamorphosis. He had transitioned from a physical and intellectual being into a spiritual being. To whatever degree his disability played a role in that, it was a gift. He would need that gift in the days remaining to him. In 2004 doctors diagnosed Corbet with inoperable, metastatic bladder cancer. He declined chemotherapy. The side effects, including even more loss of mobility, could not justify a marginal increase in longevity.

Corbet had long thought about mortality and written on the subject in New Mobility. He opted to discontinue consuming food and fluids. Fasting can be a simple and relatively painless way to maintain control over the timing of the inevitable—and to better assure a sense of mental coherence at the moment of death, a skill of key importance to Buddhists.

Muffy, Jennifer and the Corbet family gathered.

“We felt privileged that he was sustaining us when you might expect just the reverse,” says Muffy’s brother Roberts French ’56. “He showed extraordinary calm, even joy and radiance—while we were feeling terrible.”

Corbet had stopped taking fluids and food. On December 10 he invited Tom Hornbein to join the family at his ridge-top home. Hornbein booked a flight to Denver and arrived that evening. He was folded into Corbet’s extended family.

After three days of fasting, Corbet’s hunger diminished. He didn’t appear to be in pain but felt some nausea. His lips tended to dry out, and Hornbein and the family moistened his mouth with glycerin. Hornbein spoke with him about Buddhism and read poetry, which had a canny way of drifting toward themes of death. One evening Hornbein read aloud from Winnie-the-Pooh. The family first lingered in the doorway, then quietly circled around, captured by the lyrical notes of a soft and pleasant world. The Hundred Acre Wood where Winnie-the-Pooh and Christopher Robin lived was a perfectly imperfect community, a refuge composed of natural, unchanging beauty and unbreakable bonds of fellowship. Corbet had already lived there—in the disabled world, as well as on Mount Everest.

Corbet was ready. He had no regrets and no complaints. The prospect of departure appeared more comfortable to him than for those around him.

The morning of December 18—the 38th anniversary of his first ascent (with 10 others) of Antarctica’s Mount Vinson—Corbet was awake. He spoke a few words. At his side sat Paco, the “Yellow Dog,” a chow mix from the pound that had served as Corbet’s muse for his editorials in New Mobility. As the afternoon arrived his breathing became more ragged and he became increasingly drowsy.

“If you’re hanging on for something,” Jennifer whispered to her father, “don’t hang on for us.”

Hornbein sat at Corbet’s bedside. “With his family and other loved ones tied into the metaphorical rope, a climber one time more, he started up that final pitch,” Hornbein wrote. Corbet was again leading the way, just as he had when he’d cut steps in the ice for Hornbein and Willi Unsoeld up the Hornbein Couloir, en route to Camp 5 West on Everest.

His breathing stopped. Hornbein took his hand.

“You made it, Barry. You made it,” Hornbein said quietly.

Hundreds of family and friends attended the memorial service, not far from the ridge-top house. Among them were two distinct groups: climber-adventurers and disabled. Many in wheelchairs had little idea that Corbet had once been a legendary climber. The climbers were largely unaware that Corbet had become a beloved spokesman and unofficial poet laureate for the disabled.

Barry Corbet had led two lives, after all. He was a guide in both.

Broughton Coburn has written or edited six books, most of them set in the Himalaya. His latest book, The Vast Unknown: America’s First Ascent of Everest, was released by Crown this year, the 50th anniversary of the iconic 1963 expedition in which five Dartmouth alumni participated. You can read an excerpt from the book, in which Corbet and two other alumni from the Everest team get mixed up in a classic clandestine boondoggle for the CIA that gave new meaning to the term “Cold War,” here.

Portfolio

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Entrée entrepreneur Steph Lawrence ’06 makes the world smaller, one meal at a time.
The Reluctant Luddite

Pulitzer-nominated author Nicholas Carr ’81 is a Net user of the first order. But is his brain paying for it?

Sharon Washington ’81
On acting and stagecraft

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