Cover Girl
As the head of consumer beauty at the world’s third-largest cosmetics company, Esi Eggleston Bracey ’91 manages 25 international brands.
Features

Wisdom of the Sages

Four nonagenarians and one octogenarian serve up more than 450 years of insight into this thing called life.
Features

The Wright Stuff

Dartmouth’s former president adds a new dimension to histories about the Vietnam War: the human element.
Web Extra
Web Extras

The Eternal Quest

EXCERPT: The pursuit of a meaningful life is more urgent—and more elusive—than ever before.
Features

At Pain’s Weak Mercy

We need better education and research about opioids for those who suffer chronic pain.
Features

Over the Hill?

A crew of determined alumni takes on the excruciating hike known as the Fifty—in reverse—before they turn 50 themselves.
Features

Eric Berlin ’89

A medical cannabis lawyer on making it legal
Web Extra
Web Extras

“Do Our Job and Get Outta Here”

EXCERPT: Vietnam vets recall their primary mission during the war: survive, and go home.
Features

The World According to Rembert

Catching up with writer Rembert Browne ’09, who delivers his singular mashup of politics, culture and celebrity in New York magazine each week

Photo Gallery

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  • War Music
    72" x 96" mixed media on panel (2013)
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  • Butterfly Dancer
    40" x 60" mixed media on canvas (2016)
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  • Abiquiu
    60" x 60" oil on canvas (2016)
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  • Supernova DNA
    60" x 60" mixed media on paper (2016)
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  • Glacier Lake
    48" x 72" oil on canvas (2016)
    5/6
  • Tewa Buffalo Dancers
    40" x 60" mixed media on canvas (2006)
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Contemporary artist Mateo Romero ’89, who lives on the Pojoaque Pueblo reservation in New Mexico with his wife and children, has established a reputation for vibrant paintings and mixed media pieces that portray Southwest Native culture. Many compositions use thick layers of paint to depict ceremonial dances and feast-day celebrations, sometimes incorporating historical images or Romero’s own photography. His work is in private and public collections around the world, including the Smithsonian’s National Museum of the American Indian and the Hood Museum. “Painting for me has the potential to connect people to each other,” he says. “It’s not just a Native thing. It’s a human experience.”  

Read more about Romero in the January/February 2017 issue of DAM.

War Music
72" x 96" mixed media on panel (2013)
1/6
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